Lot 84
  • 84

A Louis XV ormolu cartel clock circa 1750, the dial signed Charles Voisin a Paris, movement signed Charles Voisin Paris

Estimate
20,000 - 30,000 USD
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Description

  • glass, enamel, ormolu
  • height 22 in.; width 14 in.
  • 56 cm; 35.5 cm

Provenance

Frank Partridge, London

Condition

Enamel with small chips mostly around winding hole; fine cracks; numerals with some rubbing; ormolu with rubbing but in good condition; one finger of man with restored break. Back plate is with red numbers 2362. One branch to the proper left side possibly associated or later.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This model was produced primarily between the years of 1745-1749, as evidenced by the surviving examples marked with the “C” couronné poinçon. Those examples include clocks sold Drouot-Montaigne, April 29, 1998, lot 33; Christie's Geneva, May 8, 1973, lot 17; Sotheby's London, April 29, 1965, lot 46A. Others include a model signed Fortin à Paris illustrated in Hans Ottomeyer and Peter Pröschel, Vergoldete Bronzen, vol. 1, Munich, 1986, pg. 119; another from the Musée des Arts Décoratifs signed Autrey à Paris  illustrated in Tardy, French Clocks, Paris, 1981, pg. 313; one signed Pierre Le Roy sold Christie’s New York, October 19, 2007, lot 205.
A clock of this model may be seen in the watercolor by Olaf Fridsberg (1728-1795) showing the Salon de la Comtesse Ulla Tessin, now in the Nationalmuseum, Stockholm, see Alain Gruber, L'art décoratif en Europe, Classique et Baroque, Paris, 1992, p. 308.