Lot 47
  • 47

Enamel and hardstone intaglio, early 19th century

Estimate
5,000 - 8,000 GBP
bidding is closed

Description

  • agate, gold, enamel
Set with an oval hardstone intaglio depicting a putto riding a dolphin, signed Berini, to a mid 19th century filigree work and enamel frame, brooch and pendant fittings, later fitted case.

Condition

Carnelian intaglio inscribed Berini in reverse. One slight scratch to surface. Enamel in good condition. Slight scratches to metal consistent with wear. Pin fitting secure. In very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones and to the Notice regarding import of Burmese jadeite and rubies into the US.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Antonio Berini (1770 to 1830) was an Italian gem engraver, who worked under Giovanni Pichler in Rome and later in Milan. Though most of his subjects are classical, he is most famous for a cameo of Napoleon carved in 1802 with a red vein in the stone encircling Napoleon's throat, resulting in Berini's brief imprisonment as a suspected assassin. A similar cameo, devoid of seditious inclusions, is now housed in the British Museum, 1978/1002.998. Other examples of his work are to be found in the Royal Collection, 442201 and the Metropolitan Museum, New York, 40.20.32.