

Some of the more significant pieces include: ‘A Clean Alibi’, typescript, 12 pages, bound in wrappers; ‘Big Business’, carbon typescript, 14 pages; ‘Canterbury Tale’, typescript, 12 pages, bound in wrappers; ‘Double-Cross’, carbon typescript, 14 pages (numbered from page 140); ‘Encounter’, carbon typescript, 17 pages (numbered from page 168); ‘Flotsam & Jetsam’, carbon typescript, 23 pages, bound in wrappers; ‘From Here to Where?’, corrected carbon typescript, 5 pages; ‘Hunters’ Moon’, carbon typescript, 12 pages, bound in wrappers’; ‘Intermezzo con amore’, corrected carbon typescript, 15 pages; ‘Mischievous Melody’, carbon typescript, 14 pages, bound in wrappers; ‘Mothers in Arms’, carbon typescript, 10 pages, bound in wrappers; ‘Mothers in Arms’, corrected carbon typescript, 9 pages; ‘Potpourri’, corrected typescript, 21 pages, bound in wrappers; ‘Reunion’, corrected carbon typescript, 14 pages (numbered from page 154); ‘Sky Fever’, carbon typescript, 15 pages (numbered from page 58); ‘Some Go in Darkness’, typescript, 6 pages, bound in wrappers [together with publication from Maclean’s Magazine, 15 February 1942]; ‘Souvenir’, carbon typescript, 16 pages, bound in wrappers; ‘Souvenir’, carbon typescript, 17 pages, bound in wrappers; ‘Souvenir’, corrected carbon typescript, 16 pages; ‘The Career of Julia Wayne… by Mary Broughton Leigh’, carbon typescript, 27 pages, bound in wrappers; ‘The Life of a Language’, carbon typescript, 11 pages; ‘The Reckoning’, typescript, 16 pages, bound in wrappers; ‘The Ring’, carbon typescript, 11 pages, bound in wrappers; ‘The Tourist’, carbon typescript, 8 pages; ‘Under the Hammer’, carbon typescript, 12 pages, bound in wrappers; ‘Wine With a Lady’, carbon typescript, 9 pages and ‘Wine With a Lady’, extensively corrected carbon typescript, 13 pages