Lot 353
  • 353

Oleg Tselkov

Estimate
50,000 - 70,000 GBP
Log in to view results
bidding is closed

Description

  • Oleg Tselkov
  • Couple
  • signed and titled in Cyrillic and Latin and dated 1984 on the reverse
  • oil on canvas
  • 195 by 130cm, 76 3/4 by 51in.

Provenance

Acquired directly from the artist by George Costakis

Condition

Original canvas. The paint surface is dirty. There is a small area of restoration to the lower left quadrant and further areas of infilling to the left thigh of the woman. There are flecks of paint loss to the upper right quadrant approximately 10cm from the right edge and a further spot to the right of the man's face. There are light scratches to the surface in the upper half of the canvas. UV light reveals retouching to the aforementioned areas. Held in a brown wooden frame with a loss to the upper right corner. Unexamined out of frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'Tselkov is an extraordinary phenomenon... Following the artistic traditions of the 'avantgarde' in the matter of spirit, Tselkov also goes beyond the framework of the real. It makes Tselkov's art so dynamic that like such recognised artists as Francis Bacon and Richard Lindner to whom the artist is akin in his inner tensions and his ability to evoke protest, his paintings don't tolerate the company of other paintings but demand separate display.'
George Costakis, 1979