Lot 20
  • 20

John McLaughlin

Estimate
150,000 - 200,000 USD
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Description

  • John McLaughlin
  • #15
  • signed, titled and dated 1962 on the reverse
  • oil on canvas
  • 60 by 42 in. 152.4 by 106.7 cm.

Provenance

Felix Landau Gallery, Los Angeles
Private Collection, Los Angeles
Steven Wolf Fine Arts, San Francisco
Peter B. Fischer Collection, Los Angeles
Acquired by the present owner from the above

Exhibited

The Pasadena Art Museum, John McLaughlin: A Retrospective Exhibition, November - December 1963, cat. no. 50
New York, Michael Rosenfeld Gallery, Defining the Edge: Early American Abstraction, Selections from the Collection of Dr. Peter B. Fischer, March - May 1998
The Los Angeles Municipal Art Gallery, Pacific Standard Time, Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center, December 2011 - February 2012

Condition

This work is in very good condition overall. Please contact the Contemporary Department for a professional condition report prepared by Simon Parkes Art Conservation. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“I suppose it is presumptuous of me to think that my paintings do not immediately convey to the spectator their entire content. Nevertheless, I hope they don’t – not only that, but I hope that the significance of the paintings will be variable to the viewer so long as he cares to look at them. By this I mean that the guts of these paintings, as I intend them to be, are nothing more or less than the approach to the understanding of man’s relationship to nature.” JOHN MCLAUGHLIN