- 261
Pierre Chareau
Estimate
15,000 - 20,000 EUR
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Description
- Pierre Chareau
- Lampe à ailettes, modèle LP 180, variante simple, vers 1922-1924
- metal and alabaster
- Hauteur : 30 cm (11 7/8 in.) Largeur : 25 cm (9 7/8 in.) Profondeur : 22 cm (8 3/4 in.)
fer battu, abat-jour orientable à deux dalles d'albâtre jointes en triangle
Provenance
Monsieur Bernheim, Paris
Literature
Edmond Fleg, Nos décorateurs, Les Arts de la Maison, hiver 1924, p. 18
Georges Rémon, Les créations de Pierre Chareau, Mobilier et Décoration, novembre 1927, p. 103
René Herbst, Un Inventeur, l'architecte Pierre Chareau, éd. du Salon des arts ménagers, Union des Artistes Modernes, 1954, p. 78
Marc Vellay, Kenneth Frampton, Pierre Chareau, architecte-meublier 1883-1950, éd. du Regard, Paris, 1984, p. 121
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 74
Pierre Chareau architecte, un art intérieur, catalogue d'exposition, Pierre Chareau, 1883-1950 au Centre Georges Pompidou, Paris, 3 novembre 1993-17 janvier 1994, p. 154
Dominique Vellay, La Maison de Verre - Le chef-d'oeuvre de Pierre Chareau, éd. Actes Sud, Arles, 2007, pp. 100-101, 103
Georges Rémon, Les créations de Pierre Chareau, Mobilier et Décoration, novembre 1927, p. 103
René Herbst, Un Inventeur, l'architecte Pierre Chareau, éd. du Salon des arts ménagers, Union des Artistes Modernes, 1954, p. 78
Marc Vellay, Kenneth Frampton, Pierre Chareau, architecte-meublier 1883-1950, éd. du Regard, Paris, 1984, p. 121
Félix Marcilhac, Connoisseur's Choice, The Staste, n. 1, septembre-octobre 1990, reproduit p. 74
Pierre Chareau architecte, un art intérieur, catalogue d'exposition, Pierre Chareau, 1883-1950 au Centre Georges Pompidou, Paris, 3 novembre 1993-17 janvier 1994, p. 154
Dominique Vellay, La Maison de Verre - Le chef-d'oeuvre de Pierre Chareau, éd. Actes Sud, Arles, 2007, pp. 100-101, 103
Condition
Bon état général.
Les plaques d'albâtre avec de petits éclats sur le pourtour.
Rayures sur le métal, deux trous percés sur la base du métal indiquent que cette lampe est le modèle qui avait une potence à l'origine. Traces d'oxydation.
Good overall condition
The alabaster plates with small edge chips. Scratches to the metal, two holes to the metal indicated that the model had a bracket originally. Traces of oxidiz ation.
Consistent with use and age
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."