Lot 109
  • 109

Hardy, Thomas

Estimate
3,000 - 5,000 USD
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Description

  • Hardy, Thomas
  • Autograph letter signed ("Thomas Hardy"), to Mrs. Arthur Symons
  • ink and paper
1 page (7 x 4 3/8 in.; 178 x 111 mm), on his personal stationery, Max Gate, Dorchester, 12 October 1914, with stamped envelope and corrected address in his hand; formerly folded. Accompanied by an engraved portrait from a magazine.

Literature

See John M. Munro. "Thomas Hardy and Arthur Symons: A Biographical Footnote"  English Literature in Transition, 1880-1920,  vol. 12, 2 (1969), 93-95

Condition

formerly folded
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Hardy characterizes his own play "rather a frail reed."

Hardy wrote the verse drama The Dynasts, describing it as "an epic-drama of the war with Napoleon, in three parts, nineteen acts and one hundred and thirty scenes". He devoted much of his later life to its completion, but the work was not well received, and later critics have seen little reason to reverse that judgement.

Mrs. Symons, wife of the British poet (1865-1945), was of a different view, and Hardy responds to her interest: "I fear that 'The Dynasts' is rather a frail reed in the circumstances, even if it should really be produced. The object being a mainly patriotic one the actors are to be asked to take merely nominal salaries, & neither manager nor author thinks of making money by it. I will however tell Mr. [Granville-] Barker what you say." The play was finally produced 25 November 1914, with the help of Henry Granville-Barker, and was "a splendid failure" (Purdy, 1954, p. 135).