- 3224
A FINELY CARVED POLYCHROME LACQUER 'CHUN' BOX AND COVER MARK AND PERIOD OF QIANLONG
Description
- lacquer (rhus verniciflua)
Exhibited
Layered Beauty: The Baoyizhai Collection of Chinese Lacquer, Art Museum, Institute of Chinese Studies, The Chinese University of Hong Kong, Hong Kong, 2010, cat. no. 52.
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Further boxes belonging to this group, but with the six-character reign mark inscribed in one vertical line, comprise: a closely related example in the National Palace Museum, Taipei, included in the Museum’s Special Exhibition of Palace Lacquer Objects, Taipei, 1981, cat. no. 67; another, from the Manno Art Museum, Osaka, sold at Christie’s Hong Kong, 28th October 2002, lot 568, and again in these rooms, 11th April 2008, lot 2863; and a third, of much larger size, from the Avery Brundage collection, illustrated in Sir Harry Garner, Chinese Lacquer, London, 1979, pl. 90. Two further boxes of slightly larger size were sold at Christie’s New York, the first, 21st September 2004, lot 84, and the second, 26th March 2010, lot 1193.
The design adorning these boxes is steeped in auspicious symbolism and derives from Jiajing (1522-1566) originals. The inscription shouchun baohe is composed of the chun and shou characters, which represent a wish for ‘ten thousand longevities and eternal spring’ (wanshou changchun), while bao (treasure or precious thing) refers to the contents of the box, which may be filled with gold and silver coins, ingots, gems, coral, pearls and other precious materials. Spring also represents renewal and the beginning of the New Year; hence boxes of this type were designed to convey the sentiment of longevity and renewal of life. For a Jiajing prototype, see one in the Palace Museum, Beijing, included in the The Complete Collection of Treasures of the Palace Museum. Lacquer Wares of the Yuan and Ming Dynasties, Hong Kong, 2006, pl. 134.