Paolo Scheggi

Ewan Philips Gallery, Londra
New Smith Gallery, Bruxelles
Collezione privata, Bruxelles
Ivi acquistato dall'attuale proprietario nel 1982

This work appears to be in generally good overall condition. The bearing is slightly wavy by the corners. There is a pin-pointed loss by the lower right corner. There is a small retouching towards the left upper edge. There are light stretcher marks along the upper and lower margins. Colour is slightly more reddish compared to the catalogue illustration.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Questa ricerca sistematicamente sperimentale trae le sue origini spirituali se non metodologiche nell'elementarismo e nel concretismo, non si propone di essere rottura o alternativa, bensì il proseguimento storico e quindi dinamico delle esperienze visuali non come caso mero e semplicistico esercizio di fenomenologia ottico-fisica, ma come struttura tesa ad ampliare la percezione.

This research that was experimental takes its spiritual if not methodological origins from elementariness and concretism;  it does not propose itself as a breakthrough or an alternative, but as a historical and yet dynamic  continuation of the visual experiences that are not random  or simply optical and physical phenomena, but a structure laid out to broaden one’s perception.

Paolo Scheggi, dal manoscritto pubblicato / from manuscript published in Antologica, Galleria d'Arte Moderna, Bologna 1976