This research that was experimental takes its spiritual if not methodological origins from elementariness and concretism; it does not propose itself as a breakthrough or an alternative, but as a historical and yet dynamic continuation of the visual experiences that are not random or simply optical and physical phenomena, but a structure laid out to broaden one’s perception.
Paolo Scheggi, dal manoscritto pubblicato / from manuscript published in Antologica, Galleria d'Arte Moderna, Bologna 1976
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