- 677
Attributed to James Neale, active in London 1826-39
Estimate
6,000 - 8,000 GBP
bidding is closed
Description
- Set of Eight Dining Chairs
- one chair with a paper label printed J. Neale... maker and furnisher 288 High Holborn
- Walnut, silk
- 8
- Made circa 1835.
walnut, with silk upholstered drop-in seats
Provenance
Almost certainly acquired by Thomas Greene (1794–1872), MP for Lancaster and Fine Arts Commissioner for his home Whittington Hall (built between 1831 and 1836), North Lancashire (Whittington was designed by George Webster 1797–1864);
John Bly Antiques, London, 26 June 1995
John Bly Antiques, London, 26 June 1995
Literature
Probably those depicted in an oil painting of the Drawing Room at Whittington by Richard T Londsdale (commissioned by the Greene family circa 1843) and now in the collection of Lancashire County Museum Services at Judges' Lodgings, Lancaster. The set appears to be just visible through a series of doorways, arranged around a table, in what is possibly the Dining Room.
Condition
These chairs are very good quality and are generally in good condition. There are some small old marks and scratches. The upholstery is attractive but has some marks from use.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
James Neale of London is recorded as an upholsterer, cabinetmaker and chair maker between 1826-39. He had premises at 47 Liquerpond Street, Hatton Garden from 1826 to 1828 and is recorded from 1835 at 288 High Holborn.
These high quality 18th century style chairs recall the designs of Daniel Marot (1667-1752) and perhaps illustrate a vogue for late 17th century antiquarian forms in the 1830s, what is particularly interesting is that they demonstrate by Neale an understanding of late 17th and early 18th century Continental design and possibly a familiarity with the published designs of Daniel Marot, or at the very least extant earlier chairs. They also relate very much to the style of decoration at Whittington and are in keeping with other high cabinet maker's such as Gillows who were employed by Thomas Greene at the time of the Halls completion.
These high quality 18th century style chairs recall the designs of Daniel Marot (1667-1752) and perhaps illustrate a vogue for late 17th century antiquarian forms in the 1830s, what is particularly interesting is that they demonstrate by Neale an understanding of late 17th and early 18th century Continental design and possibly a familiarity with the published designs of Daniel Marot, or at the very least extant earlier chairs. They also relate very much to the style of decoration at Whittington and are in keeping with other high cabinet maker's such as Gillows who were employed by Thomas Greene at the time of the Halls completion.