Attributed to Humphrey Hopper, 1764/65-1844

plaster, with a glass shade, on a later ebonised stand, re-decorated

This very decorative object has been re-painted. There are chips and marks throughout. The figure would benefit from a thorough clean and some retouching. The ebonised stand with marks, scuffs and scratches. The piece may well be signed but later coats of paint have obscured this. Acquired from Christie's South Kensington, Lot 39, 10.3.04.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Humphrey Hopper was an English mason who, according to Farington's Diary, 'industriously exerted himself to acquire a knowledge of Art.' (Diary, 5, p.1944, 6, p.2191). He exhibited regularly at the Royal Academy of Art and was awarded the silver medal in 1802 and the gold medal in 1803.  J. Kenworthy-Browne has noted that he was associated with the Gemelli family of plaster casters. They likely produced the present work, one in a series of mythological stuccos designed by the sculptor to hold lamps. Four of his plasters are installed at Lancaster House, St. James.

RELATED LITERATURE
R. Gunnis, Dictionary of British Sculptors, 1660-1851, London, 1953, p.209
J. Rutherford, Country House Lighting, 1660-1890, Woodbridge, 1992, p.135