Lot 120
  • 120

Marion Dorn, 1896-1964

Estimate
4,000 - 6,000 GBP
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Description

  • Wilton Rug
  • Signed Dorn in the weave
  • wool, the flatwoven field with the design worked in pile
  • 414 by 142cm., 13ft 7in. by 4ft 8in.
  • Executed circa 1935-1938.

Literature

Christine Boydell, The Architect of Floors, modernism, art and Marion Dorn designs, London, 1996, p.62, n.50 for a similar design circa 1935-1938

Condition

The colour is slightly more of a raspberry and less orange than on the catalogue illustration. Generally worn, superficially dirty and slightly stained. Foundation threads visible in three areas to the longer edge opposite the signature. Some restorations at short end opposite signature. Carpet would benefit from a clean.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Flat weaving with areas of cut pile was a technique pioneered by Marion Dorn for modernist rugs and was intended to better express the material qualities of weaving through contrast of textures. During the 1930s, Dorn worked with the architect Oliver Hill to design site-specific pieces. Hill repeated the seaside theme in his design for the Midland Hotel, Morecombe in 1933 and ‘Landfall’, a modernist house at Poole, Dorset, completed in 1938.