Josef Albers

Screenprint in colors, 1969, signed in pencil, dated and numbered 46/125, on German etching paper, published by Ives-Sillman, Inc., New York with their blindstamp, framed; together with FRANK STELLA, Furg, screenprint and offset lithograph printed in colors, 1975, from Merce Cunningham Portfolio, signed in pencil and dated, inscribed 'A. P. 23', an artist's proof aside from the numbered edition of 100, on Arches wove paper, published by Gemini G.E.L., Los Angeles and with their blindstamp, framed; and ELLSWORTH KELLY, Untitled, screenprint, 1973, from Works by Artist's in the New York Collection for Stockholm, signed in pencil, numbered 185/300 (total edition includes 25 artists's proofs), on Rives BFK paper, published by Experiments in Art and Technology, Inc., New York, framed (3 prints)

Albers: With full margins, in good condition. Inconspicuous pale light-staining and discoloration at the sheet edges. On the verso, two small areas of surface soiling in the bottom margin. Stella: With full margins, in good condition. One tiny, inconspicuous fox mark five inches above the image. On the verso, a 1 by 3 inch area of pencil marking in the top left of the sheet. Kelly: With full margins, in good condition. Only visible in raking light, four minor scuff marks in printed portion of the recto.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.