- 130
Nathan Lerner
Description
- Nathan Lerner
- 'LIGHT EXPERIMENT'
- Gelatin silver print
Provenance
Stephen Daiter Gallery, 1980s
Danziger Gallery, New York, circa 1996
Private New York collection
Literature
David Travis and Elizabeth Siegel, Taken by Design: Photographs from the Institute of Design, 1937-1971 (Art Institute of Chicago, 2002), pl. 9, p. 40
Stephen Prokopoff, The New Spirit in American Photography (Krannert Art Museum, 1985), unpaginated
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
In the volume defining his philosophy of art and education, The New Vision: Fundamentals of Bauhaus Design, Painting, Sculpture, and Architecture, Moholy-Nagy dedicates a page to Lerner and this image. The photograph is captioned ‘N. Lerner (New Bauhaus, first semester, 1937), Light volume study,’ and a portion of Lerner’s own caption reads,
‘. . . a new period starts where light will be used as a genuine means of expression because of its own qualities, own characteristics. This photographic experiment reveals the fluid plasticity of light, its ability to radiate, pass, infiltrate, encircle. Also it reveals that through these actions light is able to create negative patterns, lightless volumes which may be, in time to come, as important as its universally appreciated opposite: light reflection’ (p. 147).
After Lerner graduated from the Institute of Design in 1941, he served variously as the head of the Photography department, of the Product Design Workshop, and as Dean of Faculty and Students. Departing in 1949, he opened a nationally-respected product design office known for a range of everyday objects still in use today—the sponge mop, the plastic honey-bear container, the ball popper push toy, the ‘Chair in a Box,’ and familiar bottle and packaging designs. Lerner and wife Kiyoko were also responsible for the discovery, just before his death, of neighbor and tenant Henry Darger’s massive trove of art, created from 1930 to 1973. Darger is now considered a central figure in outsider art, and the Lerners managed his estate and publicized his work.