Balthasar Denner

The catalogue illustration is representative. The copper support is flat and stable. The paint surface is secured by a yellowed varnish and it dirty but appears to the naked eye to be in very good condition. Inspection under UV light reveals very minor retouching and confirms the good condition. A surface clean would improve the overall tonality. Offered in a plain wooden painted gold frame generally in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Born in Hamburg in 1685, Denner began his career as a miniaturist although he subsequently painted mostly half lengths and head studies. In line with the eighteenth-century fascination with physiognomy, his miniaturist technique and forensic interest in the effects of growing old brought him international acclaim. Several autograph versions of this composition exist, which all relate to a picture purchased from the artist in 1721 by the Emperor Charles VI of Austria for the extraordinary sum of 600 ducats. One version is in the Dresden Art Gallery (inv. no. 73/22), and another on panel was sold New York, Sotheby’s, 13 October 1989, lot 134.