Lot 36
  • 36

Sergio Camargo (1930-1990)

Estimate
400,000 - 600,000 USD
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Description

  • Sergio Camargo
  • Untitled (Relief No. 21/52)
  • signed, titled, dated Juillet 1964, and inscribed Vieu D'Izenave, Relief No. 21/52 on the reverse
  • painted wood construction
  • 33 1/4 by 33 1/2 by 2 3/4 in.
  • 85.3 by 85 by 7 cm

Provenance

Gallerie Gromholt, Oslo
Private Collection, Scandanavia
Thence by descent to the present owner

Exhibited

Venice, XXXIII Biennale Internazionale d'Arte Venezia, June 18-October 16, 1966, no. 579
Oslo, Kunstnernes Hus, Op-Kunst, March 30-April 28, 1968, no. 29

Condition

The panel is in very good condition. The panel displays minor soiling on the surface. The paint is tightly bound. All of the painted dowels are accounted for. No damage was noted on the panel. (This condition report has been provided courtesy of Wilson Conservation.)
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

“All his [Camargo] interest is actually based on the modulation and organization of the pieces of wood as a whole. His choice of wood demonstrated his indifference to previous materials. With the minimum of means of a formal order, he enlivens the surface and gives it a lyrical life that is disquieting and true. His desire to render visible the multiplicity and existential fluidity of a structure which asserts itself and from which the centre of gravity has disappeared.”

Karl K. Ringstrom, Paris, 1963