Lot 46
  • 46

Alfred Sisley

Estimate
1,200,000 - 1,800,000 USD
bidding is closed

Description

  • Alfred Sisley
  • La Seine au bas-Meudon
  • Signed Sisley (lower right)
  • Oil on canvas
  • 19 3/4 by 24 in.
  • 50 by 61 cm

Provenance

François de Curel, Paris

Mlle de Curel, Paris (sold: Palais Galliera, Paris, June 21, 1961)

Jacques Guerlain, Paris

Sale: Palais Galliera, Paris, November 23, 1965, lot 208

Galerie Pétridès, Paris

Private Collection, Paris

Wildenstein & Co., New York

Private Collection, Canada (acquired from the above on October 15, 1968)

Thence by descent

Condition

Very good condition. The canvas is lined. Under UV, there are tiny specks of retouching scattered in the central sky, a triangular dot in the white rocks and a few specks in the water.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Sisley's view of the Seine was painted in the autumn of 1878 in Meudon, a suburb to the south-west of Paris.  Painted at the height of his involvement with the original Impressionist group, the scene here possesses all of the hallmarks of a great Impressionist landscape, with the light reflecting off the water and filtering through the clouds.  Indeed, the pictures that Sisley produced at this moment are among the most revered examples of this genre.  In his monograph of the artist, Richard Shone has written, "The landscape paintings of Alfred Sisley occupy an inviolable position in the history of early Impressionism.  His depictions of the Thames at Hampton Court, the Seine in flood, the snow-bound suburbs of Paris are indispensable to an account of Impressionist landscape painting in the 1870s" (R. Shone, Sisley, New York, 1992, p. 7).

The picture was once in the collection of Mlle de Curel, the descendent of Marie-Alberto, the vicomte de Curel (1827-1908).  Among the other works in Mlle de Curel's collection was another Sisley, now in the collection of the National Gallery of Art.  The present work once belonged to Jacques Guerlain (1874-1963), whose family founded the eponymous Parisian perfume house.  Jacques was the second generation perfumer and the most successful in the house's history, creating such legendary fragrances as L'Heure bleue and Shalimar