Lot 107
  • 107

Friedrich Vordemberge-Gildewart

Estimate
50,000 - 70,000 GBP
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Description

  • Friedrich Vordemberge-Gildewart
  • Composition no. 145
  • signed Vordemberge-Gildewart, titled and dated 1944 on the stretcher
  • oil on canvas
  • 60 by 80cm., 23½ by 31½in.

Provenance

Ilse Vordemberge-Gildewart, Stuttgart (wife of the artist)
Galerie Schlégl, Zurich
Acquired from the above by the late owner on 14th May 1977

Exhibited

Cologne, Galerie Ferdinand Möller, Arbeiten aus den Jahren 1923-1954, 1954, no. 13
The Hague, Gemeentemuseum, Dienst Voor Schone Kunsten 'S-Gravenhage, Friedrich Vordemberge-Gildewart, 1967
Rome, Galleria del Levante, Vordemberge-Gildewart, 1965
Mannheim, Städtische Kunsthalle, Friedrich Vordemberge-Gildewart, 1970, no. 39
Chicago, Richard Feigen Gallery,  Friedrich Vordemberge-Gildewart. Compositions and Constructions, 1971
London, Annely Juda Fine Art, Friedrich Vordemberge-Gildewart, Retrospective 1924-1962, 1972, no. 28
Turin, Galleria Martano, Vordemberge-Gildewart, 1973, no. 5
Ulm, Museum Ulm & Münster, Museum Münster, Friedrich Vordemberge-Gildewart, 1975, no. 65

Literature

Hans Jaffé, Vordemberge-Gildewart, Mensch und Werk, Cologne, 1972, no. 150, illustrated (n.p.)
Dietrich Helms (ed.), Vordemberge-Gildewart, The Complete Works, Munich, 1990, no. K145, illustrated p. 303

Condition

The canvas is not lined. There are three surface scartches to the lefthand area, all with some associated tiny specks of paint loss and tiny retouchings visible under UV light. UV examination reveals some further scattered very small spots of retouching to the lower left quadrant. There is some intermittent frame abrasion to parts of the left edge and some fine lines of craquelure in places. Otherwise, this work is in overall good condition. Colours: the brown area is much pinker and the orange much brighter in the original when compared with the printed catalogue.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
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