Marcos Grigorian

Private Collection, U.S.A. (acquired directly from the artist by the present owner circa 1975)

Condition: This work is in good condition. There is very minor loss of material on top left corner and top right edges. Colour: The catalogue illustration is very accurate; although the overall tonality is brighter in the original work.
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Executed in 1963, Creation of the Planet is part of Marcos Grigorian’s acclaimed Earthworks Series. Earthworks was inspired by the use of materials and forms that went beyond the conventional means of art making. Compared to the Western Land Artists, who similarly created compositions through the handling of earth itself, Grigorian predated this movement by a decade.

Born to Armenian parents in 1925, Grigorian was brought up in Russia for a short time before emigrating to Iran with his family at the age of five. After studying at Kamal-el-Molk Art School in Tehran, he moved to Rome to complete his studies at the Academia di Bella Arti in the 1950s. His move to Rome allowed him to study the works of classical and modern masters and was a turning point in his career. His subsequent moves to Iran and then to the United States in the later years of his career were to be equally influential to his artistic development. His early abstract style was supplanted by expressionist figurative compositions on his return to Iran in 1954. In 1962 he moved to New York where he began his most famous Earthworks Series.

In 1965, The Museum of Modern Art, New York acquired a work from Grigorian’s Earthworks Series on the recommendation of Alfred H. Barr Jr., the legendary former director of the museum.  A second work was then donated to the museum by Nelson Rockefeller in 1978. Further examples of Grigorian’s works were recently acquired by the Metropolitan Museum of Art in New York and can also be found in the collections of Tehran’s Museum of Contemporary Art and the National Gallery of Armenia in Yerevan.
These are mostly on a square format, which became something of a signature for Grigorian. The square form was a representation of sacred geometry and harmonious proportions. The organic materials such as hay, straw, sand, soil and clay which he used to create his almost three-dimensional compositions were to be equally defining.  
"Perhaps I was homesick for the native soil of Iran, or maybe it was just the opposite - a reaction to being obsessed with my past…" was how he would explain his new work. In experimenting with soil and mud, he believed he was rebuilding life and exploring the complex relationship between mankind and earth. The present work, entitled Creation of the Planet is reminiscent of the commonly held theory that the Earth and the other planets developed over millions of years out of dust and gas. The traces of a circular movement on the centre of the canvas – the circle representing the universe or unity- and the monochrome earthy surface impress upon the viewer the feeling of a distant aerial view from space, an early phase in the creation of life and a beginning for humankind to come. The textured surface and the play between light and shadow endow the painting with an even more dramatic effect, adding to its three-dimensionality.

Besides being a leading figure in avant-garde Iranian and Armenian art history, Grigorian was an artist, writer, gallerist, collector, pioneer and a teacher. From his Gallery Esthétique in 1950s Tehran, which provided a free exhibition space for younger artists, to his pioneering decision to organise the first national Tehran Biennial in 1958 (after he was awarded the honour of representing Iran in the 1956 Venice Biennial) Grigorian desired to make an impact on the development of art. He was instrumental in the introduction and promotion of modern art in Iran in the 1950s and extensively promoted the works of Armenian artists in the United States in the 1980s.

Despite travelling around the world, Grigorian chose to return to his ancestral home of Armenia for the remainder of his life and donated his complete collection to the Armenian government as a sign of his lifelong commitment to his nation.