- 26
Alfred Stevens
Estimate
60,000 - 80,000 USD
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Description
- Alfred Stevens
- La Femme et L'amour (L'amour qui vient)
- signed Alfred Stevens. and dated 85. (lower left)
- oil on canvas
- 44 1/4 by 30 1/4 in.
- 112.3 by 76.8 cm
Provenance
Leroy (acquired directly from the artist in January 23, 1885 and sold, his sale, September 2, 1885)
Knoedler, New York
Knoedler, New York
Literature
The artist's "Registre comptable," 1885, no. 62467
Condition
Unlined. Under UV: areas of inpainting at lower right, smaller spots along right edge; inpainting to address repaired tear to the gown ruffle about halfway between the chair and the floor, spots of inpainting in figure's face and her arm at right edge.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
During his lifetime and to this day, Alfred Stevens was most celebrated for his paintings of modern Parisian women, often harboring subtle, but poignant, emotional narratives. In La Femme et L'amour (L'amour qui vient), his subject is in love, emphasized by the putto on the balcony, and she has obviously been provoked and captivated by an amorous thought. Stevens uses this allegorical device in other paintings, recalling the whimsical style of a Fragonard painting or of Victorian fairy painting. Another version of this work with the same title was completed the same year in association with Stevens' student Paul Sinibaldi.