Lot 25
  • 25

Edward Cucuel

Estimate
40,000 - 60,000 USD
bidding is closed

Description

  • Edward Cucuel
  • The Old Oak
  • signed Cucuel (lower right); signed Cucuel on the stretcher
  • oil on canvas
  • 31 1/2 by 25 3/4 in.
  • 80 by 65.5 cm

Provenance

Collection of John J. McDonough, Ohio
Acquired in 1992

Exhibited

Youngstown, Youngstown State University, Notre Dame, Notre Dame State University, The Snite Museum of American Art, Directions in American Painting 1875-1925, May 1986-April 1987
Youngstown, Youngstown State University, The John J. McDonough Museum of Art, Inaugural Exhibition, October 1991-May 1992

Condition

This painting is unlined, the surface is clean and bright, and there are no apparent issues under UV.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Born in San Francisco, Edward Cucuel journeyed to Paris in 1892 to pursue his education at the Académies Julian and Colarossi before admission to the prestigious École des Beaux-Arts where he studied under Jean-Léon Gérôme. In 1907, he moved his studio to Munich where he joined the Scholle group of artists led by Leo Putz, whose influence on Cucuel’s Impressionist style is evident in the present work. The artist and his wife, Clara Lotte von Marcard, spent their summers in a villa on Lake Ammersee outside of Munich, where The Old Oak was probably painted.