Lot 154
  • 154

Archaeological-Revival Gold Necklace

Estimate
20,000 - 30,000 USD
bidding is closed

Description

  • gold
The flexible band of woven gold supporting a flexible bib suspending articulated charms depicting satyr masks, acorns and oak leaves, gross weight approximately 23 dwts, length 17ΒΌ inches; circa 1870.

Condition

In good condition, particularly considering the age and delicacy of the object. Masterfully executed, the quality of the granulation being especially impressive. Please note that although this piece is stated to be 18 karat gold in the printed catalogue, it does not bear any assay marks. It does, however, hold up to 18 karat testing acid.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion. Illustrations in the catalogue may not be actual size. Prospective purchasers are reminded that, unless the catalogue description specifically states that a stone is natural, we have assumed that some form of treatment may have been used and that such treatment may not be permanent. Our presale estimates reflect this assumption.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Although unsigned, this archeological-revival necklace is a truly remarkable piece that resembles the work of the highly accomplished Italian goldsmith Neapolitan Giacinto Melillo. Hired by the renowned Alessandro Castellani in the mid 1860’s, Melillo used his granulation techniques and delicate design touch to fashion jewelry that was representative of the ancient modes of decoration and ornamentation. Jewelry made by the Neapolitan branch of Castellani has come closest to the fusion welding of the Etruscans. Mellilo, along with other 19th Century jewelers, was inspired by the treasures of classical antiquity, which led him to produce pieces of this nature formerly categorized as the “archeological style.”