Circle of Jan Davidsz. De Heem

In the family of the present owner since the 1960's.

Panel is uncradled and beveled on all four sides. under a slightly dirty and uneven old varnish. there is some scuffing along bottom edge from rubbing of frame (as visible in catalogue image). overall there is very good preservation of the paint surface and lovely detail is retained in flowers and vase. under ultraviolet: very little fluoresces; there are only a few tiny retouches to flowers and some to background at upper right and an area at lower left corner. painting would benefit from a light cleaning and fresh varnish. In a carved blond wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Several versions of the present composition exist and its ultimate origin has been the subject of scholarly debate. A version with slight variations was sold New York, Christie's, 25 May, 1999, lot 153 for $101,500 (as by Nicolaes van Veerendael). Fred Meijer believes that this particular composition is based on a lost original by Jan Davidsz. de Heem.