Rare Needlework Sampler, Eliza Coggeshall, Newport, Rhode Island, dated 1784

Worked in silk on linen; signed Eliza, Coggeshall her work made in her 10th year 1784

Carol and Stephen Huber, Old Saybrook, Connecticut, August 1980

American Needlework Treasures: Samplers and Silk Embroideries from the Collection of Betty Ring at the Museum of American Folk Art (p. 24, fig. 38); Let Virtue Be a Guide to Thee: Needlework in the Education of Rhode Island Women, 1730-1830 (fig. 27)

Some mellowing of linen; some stain lower left; frame not original.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Eliza's sampler belongs to a well-balanced group known as the "elegant house" samplers of Newport, which appeared by 1773 and continued in modified form until 1835. Eliza Coggeshall (b. 1774) was the daughter of Billings Coggeshall (c. 1734-1810) and Lydia Hammett (1739-1829) of Newport. She married Peleg Kaighn on October 30, 1796.

They had eight Children. (Additional information provided by Carol and Stephen Huber).