- 85
Andreas Schelfhout
Description
- Andreas Schelfhout
- Winter Landscape with skaters by a mill
- signed and dated A Schelfhout 1835 lower left
- oil on canvas
- 67.5 by 89cm., 26½ by 35in.
Provenance
Gus Stern, Colorado (sale: Sotheby's, New York, 12 May 1975, lot 112)
Private Collection, The Netherlands
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Andreas Schelfhout was one of the most important and influential Dutch landscapists of his time. His perfectly balanced compositions, superb brushwork and masterful depictions of ice earned him the nickname 'the Claude Lorrain of the winter scene'.
The present work is an excellent example of his virtuosity. It depicts a frozen canal with skaters on the glassy ice. In the middle distance, figures are gathered around a refreshment stall. In this work Schelfhout strikes a perfect balance between his much-praised free brush technique and intricate detail. He uses bright, fresh colours, and populates the composition with a variety of figures. The many scratches, fissures and reflections on the ice are meticulously crafted and recorded with his customary natural facility.
Schelfhout was the son of Jean Baptist Schelfhout, a gilder and frame maker from Ghent. Until the age of twenty-four, he worked in his father's business, until he was apprenticed to Johannes Breckenheimer, a stage designer in The Hague, where he studied for four years. As this was the only formal artistic education he received, Schelfhout considered himself self-taught.