Lot 146
  • 146

Alexander Calder

Estimate
12,000 - 18,000 USD
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Description

  • Alexander Calder
  • Untitled (Ash Tray) [Three Works]
  • metal

  • largest: 1 1/4 by 8 by 8 in.
  • 3.2 by 20.3 by 20.3 cm.
  • Executed circa 1940, these works are registered in the archives of the Calder Foundation, New York, under application numbers A15672, A15673, and A15674.

Provenance

Gift of the artist to Jane Davenport Harris de Tomasi
Acquired by the present owner from the above in 1998

Condition

These works are in good condition overall. Surface soiling and oxidation are consistent with the artist's choice of found materials.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

In 1942, Calder was conscripted into the army and as part of a camouflage division joined a class composed mostly of 'decorators and antiques dealers'.  His friend, Marian Willard, was working in a large military hospital in Staten Island at the time and asked Calder if he would create useful and amusing artworks for the convalescing soldiers. Calder reminisced about these objects in his autobiography: "I said I'd be happy to do so.  There I passed the day making ashtrays from cheap metal, and little toys, to distract the wounded and encourage them to make similar things.' (Calder Autobiographie, Maeght, Paris, 1972, pages 107-108. These  charming and fanciful objects derive from that period in Calder's life. In the simplicity of their materials, they show his deft handling and vivid imagination, which  transformed the lowly tin can into items both practical and  whimsical.