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Abel, Carl Friedrich (1723-1787).
Estimate
2,000 - 3,000 EUR
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Description
- Trois éditions, dont une signée par le compositeur.
- paper and ink
- Six Sonates pour le clavecin, avec l'accompagnement, d'un violon ou Flute Traversière et d'un Violoncelle...dediées a sa Majesté Charlotte Reine de la Grande Bretagne...Oeuvre V [partition seule]. Paris: aux Adresses Ordinaires, [s.d.]. Signé par le compositeur au bas de la page 3, unique exemple de la signature d'Abel sur de la musique imprimée, à l'encre rouge. 25 pages, in-folio (32 x 23.5 cm), entièrement gravées, demi-vélin vert à coins du XVIIIe siècle, couvertures légèrement tachées. [RISM A 121 (un seul exemplaire)].
- Six Sonates pour le Clavecin...Oeuvre II [parties complètes]. Paris: aux Adresses Ordinaires, [s.d.]. [6], 6, 40 pages, in-folio (32 x 23.3 cm), demi-vélin vert à coins du XVIIIe siècle (partition), couvertures bleues d'origine (pour les parties du violon et du violoncelle), quelques légères taches et rousseurs, les couvertures de la partie du violoncelle se détachent. [RISM A 108: partition; parties du violon et du violoncelle non rencensées dans le RISM].
- Six sonates à deux violons et basse...Oeuvre III [partitions]. Paris: Le Menu et aux adresses ordinaires, [s.d.]. 13, 11, 11 pages, in-folio (32.8 x 24.9 cm), demi-vélin vert de l'époque, dérelié, quelques cahiers renforcés. [RISM A 113].
- Six Sonates pour le Clavecin...Oeuvre II [parties complètes]. Paris: aux Adresses Ordinaires, [s.d.]. [6], 6, 40 pages, in-folio (32 x 23.3 cm), demi-vélin vert à coins du XVIIIe siècle (partition), couvertures bleues d'origine (pour les parties du violon et du violoncelle), quelques légères taches et rousseurs, les couvertures de la partie du violoncelle se détachent. [RISM A 108: partition; parties du violon et du violoncelle non rencensées dans le RISM].
- Six sonates à deux violons et basse...Oeuvre III [partitions]. Paris: Le Menu et aux adresses ordinaires, [s.d.]. 13, 11, 11 pages, in-folio (32.8 x 24.9 cm), demi-vélin vert de l'époque, dérelié, quelques cahiers renforcés. [RISM A 113].
Condition
Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Bel ensemble comprenant l'unique exemple de la signature d'Abel sur de la musique imprimée. Le thème du second mouvement de l'Op.V n°5 apparait légèrement modifié dans le thème final de la sonate pour violon en La majeur de Mozart, K.526, composée quelques mois après le décès d'Abel, en 1787.
A good collection of editions, including a unique example of the composer's signature in a printed score. The theme of the second movement of Op.V no.5 surfaces in slightly altered guise in the finale theme of Mozart's great A-major violin sonata, K.526, written a few months after Abel's death in 1787.
A good collection of editions, including a unique example of the composer's signature in a printed score. The theme of the second movement of Op.V no.5 surfaces in slightly altered guise in the finale theme of Mozart's great A-major violin sonata, K.526, written a few months after Abel's death in 1787.