Copland, Aaron.

being the original first page of the short score, notated in black ink on four systems, each of three or four staves, with tempo and expression markings, the instruments unnamed, with erasures and alterations, 1 page, folio (c.36.5 x 26cms), 24-stave translucent paper, the verso unruled and blank, no place, 1942, some browning, small hole with a word excised, paper-loss to margins

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Copland's "Lincoln Portrait" was by far the most often performed of his orchestral pieces.  The work incorporates spoken excerpts from Lincoln's speeches, and nineteenth-century American tunes, with Copland's own preludes and accompaniments.  Copland wrote: "The first section opens with a somber sound of violins and violas playing a dotted figure that turns into a melodic phrase by the eighth bar...my purpose was to draw a simple but expressive frame around the words of Lincoln himself".