González was a prolific draughtsman throughout his career, producing a number of drawings and works on paper as studies for his sculptures, as well as those that can be seen independently of the three-dimensional medium, as works in their own right. In Personnage au carré blanc no. 1 he combined natural elements with purely abstract forms, creating an assemblage reminiscent of his sculpture Femme au miroir (fig. 1), on which he was working at the time. Merging drawing with the medium of collage, this work appears to be the extension of the artist's experimentation with abstraction, evoking the three-dimensionality of sculpture on a flat picture plane.
Writing about González's work in this medium, Margit Rowell commented: 'Starting in 1932, after mastering the process of improvising with metal in space, he executed fewer truly preparatory sketches directly related to specific sculptures. Although González may have explored in drawings variations on a theme he considered particularly significant, the sculpture itself would often be quite different. Sometimes he made elaborate drawings after the sculpture was finished' (M. Rowell, in Julio González: A Retrospective (exhibition catalogue), op. cit., p. 48).
Fig. 1, Julio González, Femme au miroir, circa 1936-37, iron, Instituto Valenciano de Arte Moderno, Valencia
Please call 1-800-555-5555 to order a print catalog for this sale.
Online Registration to Bid is Closed for this Sale. Would you like to watch the live sale?Watch Live Sale