69
69

PROPERTY FROM A PRIVATE COLLECTION

Raimundo de Madrazo
SPANISH
ALINE, ALBUM DE FAMILIA (ALINE, REFLECTIONS)
JUMP TO LOT
69

PROPERTY FROM A PRIVATE COLLECTION

Raimundo de Madrazo
SPANISH
ALINE, ALBUM DE FAMILIA (ALINE, REFLECTIONS)
JUMP TO LOT

Details & Cataloguing

European Paintings

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London

Raimundo de Madrazo
1841 - 1920
SPANISH
ALINE, ALBUM DE FAMILIA (ALINE, REFLECTIONS)
signed R Madrazo upper right
oil on canvas
81 by 65 cm., 32 by 25½in.
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Provenance

La Granja Gallery, Mexico City
Jorge Espinosa Ulloa (acquired from the above)
Angel Cristóbal Gallery, Mexico
Private Collection, USA (acquired from the above in 1976)

Exhibited

New Mexico, Albuquerque Museum; Dallas, Meadows Museum: Prelude to Spanish Modernism: Fortuny to Picasso, 2005-6, no. 13, illustrated in the catalogue
Dallas, Meadows Museum (on loan 2004-2011)

Catalogue Note

Representing the third generation of Spain's most enduring dynasty of artists begun by his grandfather José and his father Federico, Raimundo de Madrazo was the most distinguished figure of the 'Spanish School' in Paris. Settling there in 1862, Madrazo specialised in female portraiture, with the sitter often placed in a refined and exquisite setting. In the present work, Aline Mason, his favourite model and daughter of the concierge at the Marquis of Casa Riera palace in Paris, is captured perusing an album of  photographs, their black and white profile contrasting with the rich colours of Aline's dress.

The influence of his close friend and brother-in-law, Mariano Fortuny, is clearly evident in this work in the wealth of detail and mastery of colour and texture, from Aline's porcelain skin to the rendering of white and the vibrancy of the background. 'Madrazo's portraiture is of that accomplished order that raises it to eminence; grace and fine drawing, colour and strength, are seen united to enable depiction of character, and his works present an air of completion in which refinement and vivacity are noticeable attributes' (Alfred George Temple, Modern Spanish Paintings, London, 1906, p. 60).

European Paintings

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London