- 584
Eric Fischl
Estimate
250,000 - 350,000 USD
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Description
- Eric Fischl
- Untitled
- signed and dated 1989 on the reverse of the left panel; dated 1989 on the reverse of the right panel
- oil on canvas, in 2 parts
- Overall: 95 by 113 in. 241.3 by 287 cm.
Provenance
Mary Boone Gallery, New York
Sotheby's, New York, April 30, 1991, lot 67
Private Collection, California
Private Collection, New York
Sotheby's, New York, May 15, 2006, lot 636
Acquired by the present owner from the above sale
Condition
This work is in very good condition overall. Please refer to the following condition report prepared by Simon Parkes Art Conservation. This work is unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"As a principal of narrative painting, I stop the action within the drama at the moment before something happens. Or I stop it right after something has happened. It is the moments before or right after that are the most dramatic and most inclusive of the audience. Because the event is still open-ended, the viewers project their own feelings, memories, anxieties and desires. The viewer possesses the moment and its meaning." - Eric Fischl, 2009