Fonderies d'Art du Val d'Osne

Société Anonyme des Hauts-Fourneaux & Fonderies du Val-D'Osne catalogue, circa 1900, plate illustrated above

Overall in good and fair condition with good presentation. Scratches and losses to patina, now showing orange undercoat in many places. As visible in the catalogue illustration, one can notice extensive rubbing and traces of rust to the base of pedestal. Some overpaint to original patina of both groups. Both figures have been varnished, showing some drips in darker areas. The glass shades are not present. The female is lacking one earring. The male with restoration to his right arm, localized at the bracelet that the figure is wearing to his arm. Both figures could easily be refinished to acheive a cleaner surface.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

A frequent participant at the international exhibitions during the second half of the 19th Century, the prolific firm of Val d'Osne, established by J.P.V. André in 1835, was known for their extensive inventory of architectural designs and 'fancy castings'. Reputed scuptors like Carrier-Belleuse, Mathurin Moreau, Pradier and Delaplanche created numerous models exclusively for Victor André. The firm met critical acclaim at the 1857 London Exhibition with a monumental bronze fountain cast with swans and Classical figures. Acquired by Barbezat & Cie in 1867, and allying with the fondeur J.J. Ducel towards 1870, the company was eventually renamed Société Anonyme des Hauts-Fourneaux & Fonderies du Val-D'Osne, Anciennes maison J.P.V. André et J.J. Ducel et Fils. The most celebrated work or art cast by the firm would be irrefutably the Parisian subway entrances designed by Hector Guimard.