- 119
Edward Weston
Description
- Edward Weston
- 'DUNES, OCEANO'
- gelatin silver
Provenance
The photographer to Walter Colman, 1940s
By descent to the present owner
Literature
Other prints of this image:
Conger 941
Jennifer A. Watts, ed., Edward Weston: A Legacy (Los Angeles: The Huntington Library, 2003), pl. 11
James Enyeart, Edward Weston's California Landscapes (Boston, 1984), pl. 73
Kurt Markus, Dune: Edward & Brett Weston (Kalispell, 2003), p. 5
Judith Hochburg, Sarah Lowe, Michael Mattis, and Dody Weston Thompson, Edward Weston: Life Work (Revere, 2004), pl. 73
Brett Abbott, In Focus: Edward Weston (The J. Paul Getty Museum, 2005), pl. 74
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This print of one of Edward Weston's signature dune studies, as well as the Weston photographs in Lots 117 and 118, come originally from the collection of Walter Colman. Colman was a successful Rockford, Illinois, industrialist as well as a talented amateur photographer. His interest in photography led him to write to Edward Weston for technical and aesthetic guidance. While it was hardly uncommon for Weston to be asked for advice by aspiring photographers, few took Colman's approach of sending a check along with his letter. Weston and Colman began a correspondence, and Colman visited the photographer in Carmel on at least one occasion. In the course of their friendship, Colman purchased a number of photographs from Weston, the prints offered here among them. The fact that these prints survive in their present fine condition is evidence of Colman's esteem for Weston and his work.