Lot 78
  • 78

An Egyptian Polychrome Limestone Funerary Stele, Oxyrhynchus, circa 4th/5th Century A.D.

Estimate
6,000 - 9,000 USD
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Description

  • An Egyptian Polychrome Limestone Funerary Stele, Oxyrhynchus
  • sandstone
  • 19 1/2 by 13 by 5 in. 49.5 by 33 by 12.7 cm.
carved in high relief with the figure of a boy seated on a cushion within a niche and holding a bunch of grapes in his left hand and a dove in his right hand, remains of red and green pigment.

Provenance

said to have been found at Shich Tbada
Los Angeles art market, California, 1965
American private collection
Harmer Rooke Galleries, New York, May 4th, 1995, no. 275., illus.

Condition

As shown and described, note chipped and abraded upper edge of the arch as well as abrasions and minor chips on facial features, surface somewhat powdery overall, areas of incrustation on the figure, possible minor refreshing on the face.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

For a related example in the Brooklyn Museum, inv. no. 71.39.2 see Klaus Parlasca, "Grabreliefs Oxyrhynchos," Enchoria, vol. 8, 1978, p. 117, pl. 36 (E.R. Russmann, Unearthing the Truth: Egypt's Pagan and Coptic Sculpture, Brooklyn, New York, 2009, no. 20, pp. 58-59). Also see H.W. Müller, Staatliche sammlung ägyptischer Kunst, 2nd ed., Munich, 1976, p. 252. Russmann (op. cit., p. 58) mentions that the bunch of grapes and dove "may be linked to the deities Dionysus and Aphrodite-Isis respectively. Some historians think that all the figures holding them were priests of Isis. Others have suggested that those represented sitting (...) were identifying themselves, through their pose, with the child god Harpocrates."