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PAUL JACOULET, 1896-1960 WOODBLOCK PRINT SOUVENIRS D'AUTREFOIS. JAPAN DATED 1941
Estimate
1,000 - 1,500 AUD
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Description
- PAUL JACOULET, 1896-1960 WOODBLOCK PRINT SOUVENIRS D'AUTREFOIS. JAPAN DATED 1941
- 33cm by 43cm
Paul Jacoulet (1896-1960) is best known for his striking portraits of the natives of Asia and the South Seas. He designed over 160 woodblock prints and oversaw their production in his workshop. Following in the collaborative tradition of ukiyo-e printmaking, Jacoulet recruited talented carvers and printers who could duplicate the delicate lines of his drawings and watercolors. The exquisite quality of Jacoulet's prints was due in great part to his exacting standards, and his use of costly materials like mica, crushed pearl and powdered metals.
Born in Paris in 1896, Jacoulet was raised in Tokyo from an early age. His father Frederic Jacoulet was a university professor hired by the Japanese government to teach French to young aristocrats. Jacoulet was fluent in Japanese language and social customs, and he studied a wide range of traditional arts.
Around 1931, Jacoulet began to work with Shizuya Fujikake learning the craft of woodblock printmaking. In 1933, he established the Jacoulet Institute of Prints and by the next year, he began publishing his own designs. With the exception of Jacoulet's 1934 Rainbow Series published by the Kato Institute, all of his prints were self-published. Unlike many other shin-hanga publishers, Jacoulet would discard any prints whose impression was not excellent. Also unusual is that he gave credit to his carvers and printers by including their names in the margins of his prints.
Jacoulet remained in Japan through World War II and continued to produce prints up until the time of his death in 1960. Although many of his prints were sold by subscription, he also sold a number of prints to American military officers stationed in Japan.
Born in Paris in 1896, Jacoulet was raised in Tokyo from an early age. His father Frederic Jacoulet was a university professor hired by the Japanese government to teach French to young aristocrats. Jacoulet was fluent in Japanese language and social customs, and he studied a wide range of traditional arts.
Around 1931, Jacoulet began to work with Shizuya Fujikake learning the craft of woodblock printmaking. In 1933, he established the Jacoulet Institute of Prints and by the next year, he began publishing his own designs. With the exception of Jacoulet's 1934 Rainbow Series published by the Kato Institute, all of his prints were self-published. Unlike many other shin-hanga publishers, Jacoulet would discard any prints whose impression was not excellent. Also unusual is that he gave credit to his carvers and printers by including their names in the margins of his prints.
Jacoulet remained in Japan through World War II and continued to produce prints up until the time of his death in 1960. Although many of his prints were sold by subscription, he also sold a number of prints to American military officers stationed in Japan.
Condition
very slight fading
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."