- 269
Emile-Jacques Ruhlmann
Estimate
300,000 - 500,000 USD
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Description
- Emile-Jacques Ruhlmann
- "Cabanel" Chiffonier
branded Ruhlmann and with the A atelier mark
- macassar ebony, ivory and nickel-plated bronze
Provenance
Marvin Herman, Chicago
Literature
"Expositions Internationales d'Art Décoratif," Mobilier et Décoration d'Interieur, August 1923, p. 23
André Frechet, "J. Ruhlmann," Mobilier et Décoration d'Interieur, January 1924, p. 17
Léon Moussinac, Croquis de Ruhlmann, Paris, 1924, p. 6 (for a sketch of the model)
Charles-Henri Besnard, "Quelques Nouveaux Meubles de Ruhlmann," Art et Décoration, March 1924, p. 71
Alain Lesieutre, The Spirit and Splendor of Art Deco, New York, 1974, fig. 126
Yvonne Brunhammer, Le Style 1925, Paris, 1975, p. 90
Florence Camard, Ruhlmann: Master of Art Deco, New York, 1983, p. 61
Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: Genius of Art Deco, Montreal, 2004, p. 185
André Frechet, "J. Ruhlmann," Mobilier et Décoration d'Interieur, January 1924, p. 17
Léon Moussinac, Croquis de Ruhlmann, Paris, 1924, p. 6 (for a sketch of the model)
Charles-Henri Besnard, "Quelques Nouveaux Meubles de Ruhlmann," Art et Décoration, March 1924, p. 71
Alain Lesieutre, The Spirit and Splendor of Art Deco, New York, 1974, fig. 126
Yvonne Brunhammer, Le Style 1925, Paris, 1975, p. 90
Florence Camard, Ruhlmann: Master of Art Deco, New York, 1983, p. 61
Emmanuel Bréon and Rosalind Pepall, eds., Ruhlmann: Genius of Art Deco, Montreal, 2004, p. 185
Condition
Overall very good condition. The chiffonier has been refinished. With minor surface scratches throughout. The proper right side of the top with a minor separation which extends the depth of the case. The same area with a small separation on the proper left side extending 4 inches. Small separations at the seams to the bottom register to the side of the case to the proper right and left sides consistent with age. The ivory inlays to the corners of the pieces with approximately 6 cracks to the ivory, which all remain stable. The ivory sabots with age cracks. The rest of the ivory inlays are stable and very intricately rendered. The locking devices are recent, and it is unknown whether the handles are original, as they are atypical for the model. However the handles are documented to have been on the piece since the 1970s. A superb work with stunning detailing to the ivory inlays throughout.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This lot is being sold with a certificate of authenticity from Jean-Michel Camard.