John Duncan Fergusson

The panel is sound. There is an indentation to the centre of the right edge, with a few further blemishes to the surface to the surrounding area of the panel. There are a couple of further minor indentations to the centre of the left edge. There is a light surface scratch running diagonally from the centre of the right edge across the sitters body. Otherwise in good overall condition. Ultra violet light reveals no sign of retouching. Held in a simply decorated gold painted frame in fair condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The current work, which has a still life signed Simpson on the reverse, provides an interesting link between the fraternity of Scottish artists working in the early decades of the twentieth century. Fergusson met Peploe at the sketching club held in the Edinburgh home of Joseph Simpson, nicknamed the SPO Sketching Club after their favourite meal of sausages, potatoes and onions.

The current sketch which captures the essence of the subject in just a few rapid brush strokes on an un-primed board was probably retained by Simpson who, as a caricaturist, would have appreciated Fergusson's minimalist execution. Even in this light sketch, one can see the influence of Fergusson's French training and the powerful green facial shadow which is so commonly seen in the work of Henri Matisse and the Fauves.