Lot 130
  • 130

Valery Koshlyakov

Estimate
40,000 - 50,000 GBP
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Description

  • Valery Koshlyakov
  • versailles
  • signed in Cyrillic and dated 93 l.l.; further signed and titled in Cyrillic and dated 93 on reverse
  • oil on canvas
  • 180 by 250cm., 71 by 98 1/2 in.

Provenance

Acquired directly from the artist by the present owner

Condition

Apart from some light surface dirt, the picture is in good overall condition and ready to hang.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

There is a view of the rue de Rivoli and the Louvre on the reverse of this work.

Valery Koshlyakov is best known for his installations and large scale paintings on cardboard that are suspended from the ceiling. He also "draws" with tape directly on gallery walls.

 

Koshlyakov's use of these techniques developed out of a practical necessity during periods of national deficit, and were inspired by the artist's work as a designer in the poorly-funded Theatre of Musical Comedy in Rostov-on-Don, where he learnt to create imaginative sets from whatever materials were to hand. Moreover, these innovative techniques helped Koshlyakov avoid the status of an outsider in Moscow art circles, which above all valued an intellectual undertone in figurative painting and saw in fine art "the treachery of the Salon".

 

Amongst his favoured subjects are monuments and landmarks in Russia and Europe.  The artist maintains that he finds inspiration in 'history' and as such claimed in an interview in May 2006: ''I'm trying to step back from the requirements for being contemporary''.