Charles-Henri-Joseph Cordier

Charles Cordier: l'autre et l'ailleurs, ex. cat. Musée d'Orsay, Paris, 2004, cat. no. 557 a and b., illustrated

Both overall with extensive wear to polychrome patina. Extensive scratches to both circular bases. Pitting to surface consistent with casting quality, mostly to the front and back of the figure illustrated to the left in the catalogue. The arm of that same figure is loose. The one illustrated on the left has one tassle missing and one earring detached but available in a bag.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Charles-Henri-Joseph Cordier was one of the most innovative sculptors of the 19th century. His unique oeuvre is distinguished by a fascination with ethnography and a mastery of color. His illustrious collectors included Napoleon III, Empress Eugénie, Baron James de Rothschild, and Queen Victoria, who treasured Cordier's distinctive sculptures for their sheer beauty and opulence.

Cordier's extraordinary vision was evident from his very first exhibit at the Paris Salon of 1848. His bust of Saïd Abdallah of the Darfour Tribe was ordered in bronze by the French government. The vogue for Orientalist subjects was strong, and Cordier went on to create many popular busts and figures in this genre. He also took an interest in European subjects detailing national types and costumes. In 1851 Cordier was given the post of ethnographic sculptor to the Musée d'Histoire Naturelle, which he held for 15 years. During this time he made government sponsored tours of Algeria, Greece, and Egypt.

The model Torchère Femme Arabe was first made in 1862, and a plaster version is illustrated in archival black and white photographs taken in Cordier's atelier (see Musée d' Orsay cat. p. 134., pl. 57). The same model in onyx d'Algérie and enamel was purchased by the Impress Eugenie for 15,000 francs and is now in the permanent collection at Fontainebleau (no. 1721 C).