Lot 154
  • 154

A fine ormolu musical mantel clock, Jean-Baptiste Du Tertre, the case attributed to Robert Osmond, Paris

Estimate
70,000 - 100,000 GBP
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Description

  • 80cm. 31½in. high
5¾-inch enamel dial signed J B Du Tertre A Paris, finely pierced and engraved gilt hands, similarly signed bell striking movement with numbered outside count wheel and tic tac escapement with silk suspension, the boldly cast urn case with pineapple finial above scroll handles and laurel swags, flanked by a pair of sculptor putto seated on the rectangular base with trellis panels, on bun feet and containing  the fusee musical movement, triggered at each hour by the clock and playing one of ten airs on a carillon of eleven bells with nineteen hammers, set on a further gilt-mounted grey marble plinth with bun feet

Literature

An almost identical clock with marble plinth is illustrated Tardy La Pendule Francaise,  English version, Part II, page 40. An urn clock case by Osmond is illustrated Les Ouvriers Du Temps, page 255.

Condition

Dial and hands in good condition. Movement is clean and complete and looks as though it would run. Musical movement is clean and running at time of cataloguing. Case retains much original gilding with a few scuffs and rubbed areas, marble plinth with old repair to one corner. With pendulum and case key but no winders.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. All dimensions in catalogue descriptions are approximate. Condition reports may not specify mechanical replacements or imperfections to the movement, case, dial, pendulum, separate base(s) or dome. Watches in water-resistant cases have been opened to examine movements but no warranties are made that the watches are currently water-resistant. Please note that we do not guarantee the authenticity of any individual component parts, such as wheels, hands, crowns, crystals, screws, bracelets and leather bands, since subsequent repairs and restoration work may have resulted in the replacement of original parts. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. In particular, please note it is the purchaser's responsibility to comply with any applicable import and export matters, particularly in relation to lots incorporating materials from endangered species.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

**Please be advised that bands made of materials derived from endangered or otherwise protected species (i.e. alligator and crocodile) are not sold with the watches and are for display purposes only. We reserve the right to remove these bands prior to shipping.

Important Notice regarding importation into the United States of Rolex watches
Sotheby's cannot arrange for the delivery of Rolex watches to the United States because U.S. laws restricts the import of Rolex watches. The buyer or a designated agent may collect the property in the country of sale."

Catalogue Note

Jean-Baptiste DuTertre was born in 1715. He suceeded his father and became a Master Clockmaker in 1735. Dutertre is is particularly known for the quality of the cases he used for his clocks. He died in 1772.  Robert Osmond (1711-1789) worked in Paris as a maker of fine ormolu clock cases and whilst this case is apparently unsigned, the vase is very similar to signed examples using lion mask handles and is almost certainly a product of his workshops.  Osmond is known to have supplied cases to DuTertre.