Lot 163
  • 163

Alexander Calder

Estimate
200,000 - 300,000 USD
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Description

  • Alexander Calder
  • Untitled
  • signed with the artist's monogram on the red balancing element
  • painted metal and wire standing mobile
  • 12 1/2 by 17 by 6 1/2 in. 31.7 by 43.2 by 16.5 cm.
  • Executed in 1958, this work is registered in the archives of the Calder Foundation, New York under application number A24109.

Provenance

Perls Galleries, New York
Acquired by the present owner in December 1959

Condition

This work is in very good and sound condition overall. There are small spot losses scattered throughout, primarily located at the points of friction, as is to be expected. There is evidence of minor oxiation along the lateral edges of the largest red element. The base exhibits evidence of oxidation and faint wear with scattered surface abrasions. The well-balanced elements move freely and smoothly.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

I.A.L. Diamond wrote stories and screenplays in Hollywood during a four decade career.  After collaborating with Billy Wilder on the screenplay for Love in the Afternoon in 1957, Diamond worked closely with Wilder for the rest of his career, writing screenplays with Wilder for 12 movies between 1957 and 1981.  Their screenplays were nominated three times for Academy Awards (including the screenplay for Some Like it Hot in 1959), and they won an Oscar for their original screenplay for The Apartment in 1960 which also won for Best Picture.

The Diamonds were buying art actively in the late 1950s through the 1960s and their focus was on Contemporary Art of the day, with a special affinity for European Contemporary Art.