Lot 14
  • 14

Collaert, Adriaen

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Description

Avium vivae icones, in aes incisae & editae ab Adriano Collardo. [Venice:] Jacomo Paulini, [ca. 1600]



Oblong quarter-sheets (7 1/2 x 10 3/8 in.; 192 x 264 mm). Engraved title-page and 15 fine engraved plates of birds against landscape backgrounds after and by Collaert, without printed text as issued. Contemporary mottled sheep, plain endpapers, gilt edges; spine neatly repaired, some minor abrasion.

Provenance

Early shelf label A / 27 on title-page

Literature

Copenhage/Anker 14; Ellis/Mengel 533 (later ed.); McGill/Wood (later ed.); Nissen, IVB 199; Ronsil 616

Condition

Plates: very clean and wide margined. Binding: spine neatly repaired, some minor abrasion.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Evidently the first printing of this celebrated series of ornithological engravings; an unusually clean and wide-margined set. Collaert engraved these plates in Antwerp, but they were evidently sent to Italy for publication. A number of early seventeenth-century editions of Avium vivae icones are known, all undated, and some incorporating a second series of engravings. The present set is before all letters (captions, plate numbers, artist's signature) apart from the systematic names of the subjects and is evidently a very early, if not first, printing.

"This little collection of plates possesses considerable charm, the birds being pictured in a lively fashion and many of the backgrounds including not only carefully drawn botanical specimens but also scenes of human activities and habitations" (Ellis/Mengel).