- 50
Eugen von Blaas
Description
- Eugen von Blaas
- The Serenade
- signed Eug de Blaas and dated 1910 (lower right)
- oil on canvas
- 37 1/2 by 44 in.
- 95.3 by 111.8 cm
Provenance
Catalogue Note
In the present lot, Serenade, we catch a glimpse of the iconic skyline of Venice, a very rare sight in the works of von Blaas, who preferred to paint the ancient city's humbler sights: her cobblestone streets, crumbling fountains and shallow doorways. The Campanile and Piazza San Marco seem to shimmer as in a dream among the cool, light-toned bands that make up the horizon line. The eye is drawn to the brightly clothed women, who are the audience of the serenade, and their thoughtful, slightly melancholic expressions hint at their relationship to the water beyond them. As the maidens on the right work to mend an enormous net, the viewer cannot help but wonder to what distant spot the fishermen have sailed, and whether they will return safely with the riches of the sea, or empty handed.
The attention devoted to depicting the color-dabbed corsets, floral aprons, scraps of laundry, twisted neckerchiefs, and even the enormous fishing net, mounded in the foreground, illustrates von Blaas’ interest in capturing the smallest details with maximum impact and clarity, elevating each scene beyond the every day. His charming and intimate works are known for their brilliant still life renderings, and their sense of exuberance; the works from the Peter V. Guarisco collection certainly showcase the artist’s virtuosity. But whatever narrative he chooses for his captivating subjects, one thing is certain: the women painted by von Blaas are never helpless or merely decorative. They are woven into the fabric of that most dynamic and teeming of cities: Venice.