THE PROPERTY OF A PRIVATE COLLECTOR
Lucas Merens, Burgomaster of Hoorn and Director of the Dutch East India Company;
His (deceased) sale, Amsterdam, Ploos v. A. Yver, 15 April 1778, (added lot) lot 173a, for 250 Florins to Cornelis Ploos van Amstel;
J.T. Batt, New Hall, Salisbury, by 1834;
Thence by inheritance or sale at New Hall to Major General Buckley, by 1853;
By presumed inheritance to Alfred Buckley, Esq., by 1883;
By whose Executors sold, London, Christie’s, 4 May 1901, lot 24, for 231 Guineas 5 shillings to Colnaghi;
With P. &.D. Colnaghi, London;
With Hans Cramer, The Hague, by 1957, and in 1964;
A. Sutter, Mannheim, by 1965 until after 1978.
London, British Institution, 1853, no. 75 (lent by Major-General Buckley);
London, Royal Academy, 1883, no. 239 (lent by A. Buckley);
Utrecht, Centraalmuseum, Nederlandse 17 eeuwse Italianiserende Landschapschilders, 10 March - 30 May 1965, no. 85;
Madrid, Museo Thyssen-Bornemisza, The Golden Age of Dutch Landscape Painting, 1994, no. 9;
London, Dulwich Picture Gallery, Inspired by Italy. Dutch landscape painting, 1600-1700, 22 May - 26 August 2002, no. 31.
J. Smith, A Catalogue Raisonné…, vol. V, London 1834, p. 81, no. 252;
A. Graves, A Century of Loan Exhibitions 1813-1912, London 1913, vol. I, pp. 60 and 62;
C. Hofstede de Groot, Bescheibendes und kritisches Verzeichnis der Werke..., vol. IX, Esslingen/Paris 1926, p. 179, no. 449;
"Notable Works of Art now on the Market", in The Burlington Magazine, vol. XCIX, no. 651, June 1957, reproduced plate IX;
E. Schaar, Studien zu Nicolaes Berchem, dissertation, Cologne 1958, p. 69;
A. Blankert, Nederlandse 17e Eeuwse Italianiserende Landschapschilders, Soest 1978, pp. 162-3, no. 83, reproduced plate 85;
P. Sutton, in The Golden Age of Dutch Landscape Painting, exhibition catalogue, Madrid 1994, p. 80. cat. no. 9, reproduced in colour on facing page;
L. Harwood, in Inspired by Italy. Dutch landscape painting, 1600-1700, exhibition catalogue, London, Dulwich Picture Gallery, 22 May - 26 August 2002, p. 140, cat. no. 31, reproduced in colour on p. 141.
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