Ashley Zelinskie
Android
2016
Carla Gannis
The Garden of Emoji Delights
2014
Christian Lemmerz
La Apparazione
2017
Jamie Zigelbaum
Doorway To The Soul
2015
A digital self-portrait by Jeremy Bailey
Pedro G. C. Oliveira
K7
Rosalie Yu
Embrace In Progress
A viewer experiencing Sarah Rothberg’s virtual reality work Memory/Place: My House
2014–15
For New York-based artist Gabriel Barcia-Colombo, technology is not merely a tool to create work, but an active collaborator. He focuses on collections, memorialisation and the act of leaving one’s digital imprint for the next generation, ideas that have taken the form of video sculptures, immersive performances, large-scale projections and even vending machines that sell human DNA. Also a curator, the 35-year-old Barcia-Colombo launched a roving pop-up gallery called BUNKER, which since 2014 has featured artists who collaborate with technology to create code-driven sculpture, augmented reality and virtual installation. Now, as an artist in residence, Barcia-Colombo is bringing BUNKER to Sotheby’s, where he has curated an exhibition of eight artists who “use technology as an artful lens to express desire, vulnerability and memory through a translation of the physical to the digital,” he explains. In addition, Barcia-Colombo is participating in The Art of VR, a conference taking place 22–23 June at Sotheby’s New York.
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